Nomadic Studio
oblikovanje prostora
In response to the shortage of available production space for local artists, the authors used the scrap wood from tree of heaven to transform the exhibition space in the museum’s attic into a temporary working studio. The studio then served as a haven and a means for the production and exchange of knowledge. The beehives standing in the museum park thus came to be joined by a new Symbiocene project. The working studio became a venue for weekly meetings, lectures, workshops and presentations of beekeeping practices in which Museum of Architecture and Design visitors were able to learn, in both theory and practice, about contemporary environmental challenges and opportprojecties introduced by invasive plants. By mobilizing the institution’s resources, a temporary learning platform was created that helped raise awareness about the role of flora and fauna in shaping sustainable living environments.
The exhibition, or rather its design and installation, was made possible through working cooperation with a number of young designers and craftsmen. The working studio was fitted with furniture elements made from the biomass of invasive plants and showed the process of transforming the biomass into final products. At the end of the exhibition, the furniture pieces were sold at an auction that the authors used as a crowdfunding platform to raise startup funds for the development and continuation of the project.
Thus activated, the space acted as a supportive environment for the authors to develop the project, raise project funds, organize talks and guided tours and ultimately, to care for plants and beehives in the museum park; it also gave us the opportprojecty to implement commprojecty-based economies within a local cultural institution.
- Rastlinska rezidenca invazivnega pajesena osvetljuje potrebo po ponovnem ovrednotenju vloge t. i. tujerodnih invazivnih vrst v okoljih, kjer se pojavljajo. Trenutne politike, ki jih izvajamo, še niso ozavestile njihove uporabnosti (npr. kot razkošna paša za čebele ali nov lesni vir) in njihove sposobnosti za oskrbovanje opustošene zemlje s fosforjem in dušikom, ki omogočata rast rastlin. Z arbitrarnim razumevanjem avtohtonih in tujerodnih vrst tako vodijo v ohranjanje enih vrst pred drugimi, pri čemer izključujejo prepletanje vzajemnih odnosov znotraj poškodovanih ekosistemov, ki so se in se še bodo razvili skozi čas.
- Pohištvo v skupnostnem prostoru je oblikovano iz lesa invazivnega pajesena, blazine pa so pobarvane z naravnim barvilom iz prav tako invazivne rumeno cvetoče zlate rozge. Video v ozadju prikazuje sožitne odnose, ki so nastali med čebelami in pozno cvetočimi invazivnimi rastlinami.
- Mizica je oblikovana iz čebelje naklade in lesnih ostankov. Krasi jo šopek iz invazivne, a medonosne žlezave nedotike (Impatiens glandulifera).
- V seriji predavanj, ki so se odvila v sklopu razstave, smo gostili urbanega čebelarja Gorazda Trušnovca, oblikovalko Brino Fekonja, čebelarja Williama Blomstedta, ustvarjalca in člana kolektiva Tree of Heaven Woodshop Inga Vetterja (na sliki), Leno Marion iz podjetja Tisa, d. o. o., in Primoža Turnška iz Društva za permakulturo Slovenije.
- Razstava se je končala s kratko predstavitvijo projekta in javno dražbo studijskega pohištva.
Koprodukcija: Muzej za arhitekturo in oblikovanje / Projekt je bil del festivala Future of Architecture in spremljevalnih projektov bienala oblikovanja BIO25.